Editor's Desk 
Talking To Emily St. John Mandel About Revision, Timeline Corruption, And Living Without A Floor
The first line of Emily St. John Mandel’s new novel Exit Party sets the tone of the whole book. She writes, “In the first spring after the collapse of the United States, the blossoming of the jacaranda trees felt to Ari like grace.” We have been dropped into yet another one of Mandel’s post-apocalyptic worlds, but, as with Station Eleven and Sea of Tranquility, it retains a vivid glimmer of hope and life.
The book introduces Ari as our protagonist, but, as with other Mandel books, she is not our only main character. The first section of the novel is called the A side, and begins with a party in Los Angeles where something strange happens. We quickly come to find out that this isn’t our only world. A parallel universe, this record’s B side, features many of the same people and places. Both worlds contain a sought-after painting, but where Ari’s America is grappling with the fallout of a second Civil War, this other version is a surveillance state. At first glance the B side appears more orderly than the A side, but we swiftly learn that neither world is a preferable future iteration of our own.
I spoke with Mandel ahead of Exit Party‘s release about time, multiple lives, and her unique revision method. Our conversation has been lightly edited.
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